Gojira - Of Blood and Salt

EP from compilation CD by Metal Hammer

Siti Saleha a.k.a Nora Elena

She is the latest Malay actress that I found talented and gorgeous!
Well, it "sedap mata memandang " as I called it,hahahahhaa
I know I sound kinky overhere, but whatever it is, she still have the power of the beholder.
She really have the look, and possibly in the future she might be involving in clubbing thingy. I'm just saying.

Enjoice the pictures of her down here!

In this picture she looks like Sharifah Sofea

Oakley Ducati Scalpel

This is Shiznit! Awesome! Double Triple Quadriple Nice Design! Excellent job by the Oakley!

New song by Gojira from The Shepherd project

Fucking sick, I'm loving it.

We want more GOJIRA!

The Social Network

I just watched this fucking money-minded film, story telling about how Mark fucking Zuckerberg gets into his top right now, and how he dealing with all kinds of lawsuits that looking for him. It's kinda intense just because people talking so fast and using crappy economics term that maybe some of you find it slow to absorb it down all the way through. This movie maybe not adapted directly from the true story, but still it have the immense element of people who in rage to find an instant profit, and may 'kills' their own buddy in order to achieve that fucking dream.

Enjoice bro!

Work-Out Session

I wish I can ripping out my body as soon as I can before going back to my homewtown where all people gonna impressed what I've been able to achieve back in Canada.

A perfect and healthy body! Nuff said.

So until now I go to the gym everyday and do at least one hour exercise to maintain my stamina and also building out my muscle togather.

I received many inspiration to do this, as in friends, meeting new people, ads(hell yeah I'm also being among the people who get influenced by this crappy ads), youtubers, and jealousy towards people who already achieved a good ripped body shape.

Below is one of the vids that I've been following for my work out sessions;

When a deaf guy knocks me out of nowhere

One deaf guy randomly approached me and told me that he like a Nissan Fairlady car that just
passed our bus, by typing the msg on his phone.....and for a moment I was like, dear Lord I'm
so grateful wih all your gifts...

Gigs that I've been to so far

Cannibal Corpse, this video is courtesy of myself:


Immolation, also courtesy of myself:


1349, courtesy of myself:


VADER, awesome shit show:


and finally, Skeletonwitch:

Holidays on Monday before May 25th in Canada

Well, for all readers, today is a fucking holiday in Canada!!
Why? Because it's queen victoria birth-fucking-day! LOLwut? Do I like fucking care with that?!haha..Google it yourself if you want to know more about that motherfuckers
The only thing that I care about this hols is because I can enjoice my self!
But life always gives you lemon when the cons part of this holiday is, there's no buses on that day! Fuck my life. I cant go anywhere without public transport. Hell yeah that's pretty sad for an immigrant Asian student in University in Canada.
So I decided to just stay in my own fucking comfortable room, and go for a jogging at the park in the evening. Well, it's kinda good cause it prevent me from spending money continuously in any shop that I may go by bus. So, there you go for the pros part.
Anyway, I just finished watching several movies since last week;

1. The Pirates of the Caribbean: At Stranger's tides
2. Thor 2011
3. The Hangover(re-watch for 2nd time since the new one going to come this mid summer)
4. Tron Legacy
5. The Back-up Plan
6. The Green Hornet
7. Enemy at the Gates
8. Limitless
9. Letters to Juliet(this is on early May ago)
10.Little Fockers
11.Harry Potter and the Deathly Hallows

Wow, that's pretty decent numbers of movies I have watched since the holidays started.
Oh heck, that how I use my time instead of refreshing the browser tab to look out for notification in facebook!
Well, I have a lot to say about facebook trend nowadays, I will make sure to make one special post about that later around.

My Comeback to Blogging after 2 Years of Cold Silence

Fyeah, Im back with this shitty blogging thingy
Well, there are several reasons why i wanted to start to write about this blog.

1. I'm a hardcore blogger reader.
2. I like serious shit stuffs.
3. I like some motherfucking hilarious photos, videos and the other way around that you can make jokes and have some fun
4. I'm in the dawn of summer, so I have plenty of time to spend with.
5. Blogging kinda a way of myself to improve way of reading, writing, elaborating ideas, expression, describing, comprehension and also improvising my grammar in English writing(eventho I admit I don't really care them that much!).
6. I like to share some of my metal favorite songs, and information.
7. Everytime I attended a concert or gig, mainly I will just a photos of them, without doing nothing with them after that rather than posting them on facebook.
8. I will try to post stuff that are really interesting to me, and I wish they also fucking interesting for you, if not, FUCK OFF and DIE!
9. And for your information I hate chinese!

More Slayer!

Fuck Yeah Ol' Slayer!

Destroyer 666 - Defiance "Review"

Guide Review - Destroyer 666 - 'Defiance'

Controversial hybrid metal unit Destroyer 666 is back for more shredding and hedonistic misadventure on their fourth outing, Defiance. From the band giving you the iniquitous “Australian and Anti-Christ” comes the new album from a group many have dubbed practitioners of “war metal.”

Destroyer 666’s music has historically been nihilistic (proudly so for Warslut’s purposes) even to the point they’ve even been accused of conjuring up white supremacy issues in the past. However, Defiance somehow comes off far less shocking than any of Destroyer 666’s previous efforts and honestly, it is all to the good this time.

While Defiance does hearken back to Warslut’s black metal roots in various increments—particularly his bellowing rasps and the random breakaway tempos set at vengeance’s pace—largely the album focuses more on finding proper grooves and dark melody to make it Destroyer 666’s most mature recording to date.

Granted, there’s nothing mature to a guy calling himself Warslut, but the way his group structures “Human All Too Human” with hypnotic lures of tunefulness for a number of bars before escalating swift licks just enough to increase the song’s strength shows a disciplined resolve to grow more artistic instead of remaining downright dirty.

Creating a dirge epic with “A Sermon to the Dead” complete with planted clean vocals drifting amidst Warslut’s belching and a trancy doom tempo is one of Destroyer 666’s biggest improvements. Having curtain-call guitar solos abound on this album courtesy of Shrapnel is even more exciting than the focused aggression of “Weapons of Conquest” or the alacrity assisting the snidely “I Am Not Deceived.”

Whether you agree with Warslut’s principles or not, Defiance is the most listenable album Destroyer 666 has unfurled. For a change, this album takes the guilt out of guilty pleasure.

Nile - Those whom the gods detest

Nile has long been one of the few brutal death metal bands, in that sort of Hate Eternal vein that I’ve ever been a real big fan of. They have, probably due to the judicious use of their musical talent, been able to make a type of brutal death metal that is interesting and varied enough that it doesn’t feel like a waste of time to listen to. Actually, that’s the understatement of the year. These masters of grindy death metal have produced some of the most memorable death metal albums of the modern death metal era starting in earnest with their classic record Black Seeds of Vengeance in 2000, but continuing through to today. 2007’s masterpiece Ithyphallic made my top 10 list and I have been greatly anticipating my chance to listen to the new opus, entitled Those Whom the Gods Detest.

I’m going to assume while I’m writing right now that there aren’t many in the crowd who haven’t at least heard one Nile album, and at this point you probably know what to expect from these guys. Since Black Seeds of Vengeance, Nile has crafted their sound into a well-honed attack which combines modern brutal death metal, with it’s blasting, trem-picking and brutal growls, with Egyptian scales and modes. Then, you blend this sound, which is brutal as hell but still very melodic and fun to listen to, with lyrics about all things Egyptian and a lot of great instrumental and soundscape pieces using middle-eastern instruments and rhythms. This formula has served Nile very well since its inception and continues to serve them well today.

Those Whom the Gods Detest is actually a bit of a new thing for the band because it’s basically a discussion of who the Gods detest, and that is pretty much non-believers. Now, death metal guys have been attacking religion since the 1980s, and they were outdone by black metal a long time ago, right? But Nile has something new here, which is pretty much that they attack all religions and they do something that still feels edgy, and were it actually heard by an Islamic extremist would probably be Fatwa-inducing. The lyrics are excellent, and they denounce the existence of all gods and call all religions bullshit, basically. This was extremely well done and I personally enjoyed the lyrics from the opening track on the album very much: “There is no God but God / There is no God but the One True God / There is no God but the hidden God / There is no Go

There is no God! / There is no God!” They go through all of these commandments from a bunch of different religions and still end on that line: “There is no God!” And then they follow it up with a man singing “Allahu akbar.” I am not often moved or interested in death metal lyrics, but this was a lyrical triumph.

While Ithyphallic was a kick in the teeth, fast out of the gates with hardly any fat, Nile have added a lot of the Black Seeds of Vengeance/In Their Darkened Shrines-style interludes to this record, which is something I could probably do without. While I love this band, I think they’re at their best when they don’t drag things out too much. Instead, Those Whom the Gods Detest is almost the most progressive Nile record yet. Not tech in the traditional kind of death metal sense, but instead a lot more slow parts with acoustic parts and strange time signatures have started seeping in. Not that these things don’t have their place, but it feels like it drags down this record in a lot of places that Ithyphallic shone.

This record is, without a doubt, a great record, however. Nile continue to show that they are one of the most interesting and original death metal bands in the game today. Of course, over time a band falls into a rhythm and Nile is certainly in that rhythm, but this album doesn’t suffer from it. In fact, Karl Sanders is an excellent song-writer and this album shows that, but I miss the quick release and simplicity of the last record. Still, Those Whom the Gods Detest doesn’t fall very short of expectations. It is, indeed, an excellent album.

Hypocrisy - A Taste of Extreme Divinity

Sound: Once again, Hypocrisy returns strongly with a powerful new album to add on to the brilliance in their name. This album is no nonsense, with crushing death metal and pure melodic death metal riffs. Hypocrisy have great power in their music, and with this new release, they once again prove to the world that this is true. They have great heavy guitar sound accompanied by strong drumming by Horgh. Peter Tagtgren expresses his high screams and low growls extremely well through out the album, showing his great vocal range. With melodic songs such as "Alive" and "Solar Empire" they show one half of Hypocrisy, whereas with songs such as "Valley Of The Damned" and "Tamed (Filled With Fear)" they show the other, much heavier side. They mix these two sides perfectly to craft something unique and brilliant to their sound. // 10

Lyrics and Singing: I've already talked about Peters great vocals and his range, and now I must say that his lyrics are quite interesting, usually talking about gods, and other science fiction things. There isn't that much special with the lyrics, they are better than just about all other metal lyrics, and Peters vocal skills definitely make it so much better. // 9

Impression: This album is definitely my favorite album of the year and was just crafted to near perfection. The 4 years in between A Taste Of Extreme Divinity and their last release (not including Catch 22 because that's a re-release) was for sure worth the wait. What I really enjoy about this album is the fact that they can be heavy and melodic at the same time, and that they've really made great riffs. Usually when bands get older they tend to suck more, but not in Hypocrisy's case, they have come back stronger than ever.

Megadeth - The System Has Failed

Having suffered more setbacks in his lifetime than most would care to face in three, Megadeth (a.ka. Dave Mustaine) return to the metal arena. Mustaine's three year hiatus has been spent recovering from crippling nerve damage to his arm which threatened to end his career.

Starting as they mean to continue, the album opens with a newsflash (by the way boys, this was once cutting edge, about 10 years ago!) informing the listener: " Air Force One was shot down over the middle east...The president is presumed missing..Our nation stand at Defcon 3." Blackmail the Universe sees America's foreign policy cynically ripped limb from limb betwixt searing solos from Mustaine and recently reinstated original guitarist Chris Poland.

First single Die Dead Enough is very late '90s territory for the veterans, and is a sure fire radio number. It's all chorus and not a whole lot else but is about as sticky as toffee on a summer day. Not two but three solos adorn this slice of classic 'Deth.

Taking corruption back to its traceable source, Truth Be Told is a case study in mans greed from Cain and Abel to the present day: "Before al Qaeda and Bin Laden..the verdicts always been the same, Wrong!" with all this history to cover you'd imagine there wouldn't be much time for string twiddling huh? No fear, six soliloquies squeezed into five and a half minutes of old skool thrashy beats.

Unfortunately Mustaine's politically fuelled wrath doesn't always transfer so easily to such strong tunes, as Kick The Chair proves. If there's something to be said for the corruption of the courts, there are I'm sure more eloquent ways of doing it. It seems without taking a hard line attitude to your music and lyrics (a la RATM) it is nigh impossible for your political ranting to be taken with any clout.

That said,I have somewhat of a sneaking suspicion that including songs entitled Back In The Day which addresses the history of metal with the following eloquence: "In denim and leather, we were all part of the force, knocked Rock and Roll on its ass and put Metal on the coure." alongside your social commentaries probably doesn't aid your course either.

Of Mice And Men is somewhat of an autobiographical account of the highs and lows of Mustaine's life, charting his rise and many falls throughout his chequered past. It is at this point that Megadeth ran out of material, at least that's the only excuse for Shadow Of Deth, which consists of Dave chanting Psalm 23 in a pseudo-English accent. Ouch.

Overall this is most definitely not Megadeth's St. Anger. Although they have plenty of it, the rage too often comes across somewhat farcically. Believing subtlety to be something not reserved for the thrash genre, Mustaine and his fret battering mates have produced an album that requires minimal intelligence to grasp, and just a little more humour in order to be taken seriously.

Slayer - World Painted Blood

Slayer's new album, World Painted Blood, won't be out until October, but some folks have already heard it - and I'm one of 'em. So here is my very early, complete track-by-track rundown of what you can expect when the disc drops this fall.

"World Painted Blood" - the album starts with a martial drum roll and some creepy, hard-to-make-out spoken vocals, before a Sabbathy opening riff comes in. At the one-minute mark, things speed up, with the rhythm guitar sounding more like James Hetfield on Death Magnetic than Slayer's usual sound. (More about this later.) Tom Araya's vocals are hoarse and breathless, which adds a dramatic urgency to his usual lyrical litany of horrors. This song is spiritually kin to "South of Heaven," but faster and more aggressive, with an absolutely killer main riff and a noisy, dive-bombing, reverbed-to-hell-and-back solo backed by unexpectedly prominent bass from Araya. Best line: "Walk among the dead/Pick your grave." If this song has a flaw, it's that it's a little too long (nearly six minutes) and has a few too many ideas, but overall it's a really good start to the album.

"Unit 731" - a super-fast murder anthem of the type Slayer have written a dozen times before and will write until they hang up their guitars for good. Lombardo's still the master of the thrash drum fill, though, and his kit has a punk-rock looseness on this album that makes it fresh. The mix on World Painted Blood is really surprising - not just the drums, but the space given to Araya's bass and the weight of the guitars. Producer Greg Fidelman has given the album a very similar sound to Death Magnetic (which he also produced), but without the blown-out mastering job after the fact; consequently, it works even better for them than it did for Metallica.

"Snuff" - this song begins with two guitar solos. That's new. The title gives it away; it's about snuff filmmaking, and follows a fairly typical Slayer path, fast then slightly slower then back to headlong charging again. Araya's verses are fairly plain, just a rhythmic chant, but he's still in good voice, sounding genuinely enraged and dangerous. There's a second set of guitar solos in the middle, and a really intricate, technical unison guitar line taking the song out. This is one of the most musically challenging Slayer tracks in a long while.

"Beauty Through Order" - moody and doomy, with a riff and structure very (I mean very) similar to "Eyes of the Insane," from Christ Illusion. That song won them a Grammy, so it's not surprising to see them return to the well, but this is practically a re-recording. At around the two and a half minute mark, they change it up, though, and start playing riffs and a solo that sound inspired by Reign in Blood and Seasons in the Abyss in equal measure, as Araya screams "God did not do this" over and over. Obviously, they're Slayer and they're always gonna be, but this song feels like they're plagiarizing themselves a little too much.

"Hate Worldwide" - the second of two songs they've released to teas fans (click the title to hear it). It's one of the most punk-rock and stripped-down tracks on the album, hitting hard for under three minutes with a noisy solo from each guitarist and a witty chorus ("Let's spread a little hate worldwide"). Archetypal Slayer, in other words, but without sounding like a rehash.

"Public Display of Dismemberment" - holy hell, Dave Lombardo plays fast on this song. This might be his fastest beat since "Silent Scream," from South of Heaven. The lyrics are somewhat political, which you might not get from the title. When it's time for the first solo, pre-bridge, things slow down to an ultra-heavy chugga-chugga. The second solo is taken at lightning speed, though. This is another short one - two and a half minutes - and it'll leave fans breathless if/when it's played live.

"Human Strain" - if this was a Cannibal Corpse song, it would be about feeding people into a strainer, but the strain they're talking about is a virus. It's not a rewrite of "Epidemic" from Reign in Blood, though; it's another relatively slow song, taken at an almost martial tempo with parade-ground drumming from Lombardo. There's a really nice break in the middle, with spoken recitation from Araya over dissonant guitar, and some of his cleanest singing in years - if not ever. This, along with "Snuff" and "World Painted Blood," shows that Slayer still has plenty of room for original tweaks to its core sound.

"Americon" - another political song, this one based on a riff that sounds like they've been saving it since the Diabolus in Musica sessions. The guitars go through a pedal that makes them sound like Slipknot, and Lombardo strips his playing down to a crude pummel. It's a good enough song, but it sounds less like what you might typically expect from Slayer than anything since "Dead Skin Mask" from Seasons in the Abyss (my least favorite Slayer song ever). I'm not making a direct comparison between the two songs - "Americon" doesn't have a terrible singalong chorus - but this track sticks out from the rest of the album quite a bit.

"Psychopathy Red" - fortunately, they come right back with this punk-rock (there's even a bass break) blast of pure 1000 mph Slayer hate. This song could have fit right in on Reign in Blood, and producer Fidelman captures that vibe of blind headlong rage perfectly. Araya's screaming sounds positively unhinged. It's no wonder this song's been a sensation since hitting the Internet last year (click the title to hear it, if you haven't).

"Playing with Dolls" - another song that recalls Christ Illusion, but this one reminds me of that album's most striking track (musically and lyrically), "Jihad," so it's a very good thing. The first minute-plus are slow and creepy, but when the drums come in for real and the rhythm guitars begin to grind, it's a whole different story. There are subtle industrial-influenced sound effects in the background that actually add to the hostile, alienating vibe (when I say subtle, I mean subtle; this isn't some Fear Factory b.s.). And the guitar solo actually seems to arise organically out of the main song, a rarity for Slayer.

"Not of This God" - the album's final track combines the speed, power and head-down assaultiveness of "Unit 731" with a bridge that explores groove in the Slipknot-esque manner of "Americon," only better. It's very much a modern Slayer track, combining their perennial strengths with a willingness to try new things, and it takes you out of the album breathless and jacked up on the cocktail of pure aggression that these guys have patented.

Final verdict: A lot of people say Slayer hasn't really been great since Seasons in the Abyss. Those people are wrong. The Paul Bostaph years had a lot to recommend them (Diabolus in Musica is a seriously underrated album), and Christ Illusion showed that Slayer could experiment with dissonance and melody, and kick their own playing and songwriting up a notch when they wanted to. The bandmembers have given a lot of interviews talking about how a lot of this album was written in the studio. Listening to it, you can't tell. That's really impressive. Much the way Metallica's Death Magnetic combined the thrash of their early years with the hard-rock grooves of their 1990s work, World Painted Blood builds on the success of every Slayer album before it. It's not a legacy-polishing effort; it's the next step in a still-ongoing journey. Highly recommended.

Hypocrisy - A Taste of Extreme Divinity

If you've never heard this band, it feels somewhat like a Thrash/Death/Power Metal band. Fast, but not overly technical Drum Rhythms or Guitar Riffs. This isn't a band I'd listen to because they have amazing rhythmic chops in the way I'd listen to Necrophagist or Origin. Instead this is a sound that is classified more by the feeling they are trying to get across. According to Encyclopedia Metallum they're Melodic Death Metal, but in reality it's death metal with powerful chords under it, almost like black metal, or at least this in album.

I realize most of you have heard this band, but this was my first time hearing it, so this write-up is based entirely off of this release.

The band's sound is very musical, if not technical, and their musicianship shows through in many parts. Unlike bands I mentioned earlier they dont rub their chops in your face, they're very subtle about it, to which I give them ALOT of respect. Some of the chord progressions and tones are a bit predictable, but I don't find any fault with it here, as they suprise me in very subtle ways that 100% make up for it.

They may not be the most amazing band, but they take a feel that other bands make boring and make it very listenable. This coming from a Tech Death guy.

I also have to give props to the vocal tone. The growls are high-pitched and hateful with a gurgling scream feel very close in comparison. I'd compare the vocal stylings to that of Belphegor with their Satanic screams, but this has a much more epic feel to it (it's even more like Black metal then I thought, the blastbeats that open Weed Out The Weak instantly reminded me of Belphegor again).

The album is pretty solid, though not exactly groundbreaking. I would certainly recommend it to just about anyone on this board, it's top-notch stuff.

SLAYER...behind the controversial story

About Slayer

Slayer was one of the most distinctive, influential, and extreme thrash metal bands of the 1980s. Their graphic lyrics deal with everything from death and dismemberment to war and the horrors of hell. Their full-throttle velocity, wildly chaotic guitar solos, and powerful musical chops paint an effectively chilling sonic background for their obsessive chronicling of the dark side; this correspondence has helped Slayer's music hold up arguably better than the remaining Big Three '80s thrash outfits (Metallica, Megadeth, Anthrax). Naturally, Slayer has stirred up quite a bit of controversy over the years, with rumors flying about Satanism and Nazism that have only added to their mystique. Over the years, Slayer put out some high-quality albums, one undisputed classic (Reign in Blood), and saw the numbers of naysayers and detractors shrinking as their impact on the growing death metal movement was gradually and respectfully acknowledged. Slayer survived into the 1990s with arguably the most vitality and the least compromise of any pre-Nirvana metal band, and their intensity still inspires similar responses from their devoted fans.nSlayer was formed in 1982 in Huntington Beach, CA, by guitarists Kerry King and Jeff Hanneman; also recruited were bassist/vocalist Tom Araya and drummer Dave Lombardo. The band started out playing covers of Judas Priest and Iron Maiden songs, but quickly discovered that they could get attention (and fans) by exploiting threatening, satanic imagery. The band was invited by Metal Blade's Brian Slagel to contribute a track to the Metal Massacre, Vol. 3 compilation (a series that also saw the vinyl debuts of Metallica and Voivod); a contract and debut album, Show No Mercy, followed shortly thereafter. While Slayer's early approach was rather cartoonish, their breakneck speed and instrumental prowess were still highly evident. Two EPs, Haunting the Chapel and Live Undead, were released in 1984, but 1985's Hell Awaits refined their lyrical obsessions into a sort of concept album about damnation and torture and made an immediate sensation in heavy metal circles, winning Slayer a rabid cult following. nDef Jam co-founder Rick Rubin took a liking to the band, signed them to his label, and contributed the first clear-sounding production heard on any Slayer album for the stripped-down Reign in Blood. Due to the graphic nature of the material, CBS refused to distribute the album, which garnered a great deal of publicity for the band; eventually, Geffen Records stepped in. Combining Slayer's trademark speed metal with the tempos and song lengths (if not structures) of hardcore, along with the band's most disturbing lyrics yet, Reign in Blood was an instant classic, breaking the band through to a wider audience, and was hailed by some as the greatest speed metal album of all time (some give the nod to Metallica's Master of Puppets).nSouth of Heaven disappointed some of the band's hardcore followers, as Slayer successfully broke out of the potential stylistic straitjacket of their reputation as the world's fastest, most extreme band. Drummer Lombardo took some time off and was briefly replaced by Whiplash drummer Tony Scaglione, but soon returned to the fold. 1990's Seasons in the Abyss was well received in all respects, incorporating more of the classic Slayer intensity into a more commercial -- but no less uncompromising -- sound. "War Ensemble" and the title track became favorites on MTV's Headbanger's Ball, and Slayer consolidated their position at the forefront of thrash, along with Metallica. Following the release of the double live album Decade of Aggression, Lombardo left the band for good due to personality conflicts with the other members and formed Grip Inc. nSlayer remained quiet for a few years; the only new material released after 1990 was a duet with Ice-T recorded for the Judgment Night soundtrack on a medley of songs by the Exploited. After leaving the Forbidden, Paul Bostaph signed on as the new drummer for 1994's Divine Intervention, which was released to glowing reviews; thanks to the new death metal movement, which drew upon Slayer and particularly Reign in Blood for its inspiration, Slayer was hailed as a metal innovator. The album was a massive success, debuting at number eight on the Billboard album charts. nBostaph left the band to concentrate on a side project, the Truth About Seafood, and was replaced by ex-Testament drummer Jon Dette for Undisputed Attitude, an album consisting mostly of punk and hardcore covers. Bostaph rejoined Slayer in time to record 1998's Diabolus in Musica. The band reunited with Def Jam for 2001's God Hates Us All. In 2004, they unleashed the four-disc anthology Soundtrack to the Apocalypse, followed by an album of all-new material, Christ Illusion, in 2006. ~ Steve Huey, All Music Guide

Bathory - One Rode to Asa Bay

The ONLY video by Bathory...